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・ The Illmoor Chronicles
・ The Illness of Antiochus
・ The Illogical Consequence
・ The Ills of Modern Man
・ The Illuminati Papers
・ The Illuminati Quiz
・ The Illumination
・ The Illuminator Art Collective
・ The Illuminatus! Trilogy
・ The Iceman Ducketh
・ The Icemark Chronicles
・ The Icemen
・ The Icewind Dale Trilogy
・ The Ichneumon Method (And Less Welcome Techniques)
・ The Ichthyologist
The Icicle Thief
・ The Icicle Works
・ The Icicle Works (album)
・ The Icicles
・ The Iciest Sin
・ The Iclif Leadership and Governance Centre (Iclif)
・ The Ico & Shadow of the Colossus Collection
・ The Icon
・ The Icon Bar
・ The Icon Is Love
・ The Iconfactory
・ The Iconic
・ The Iconography of Manhattan Island
・ The Id
・ The Id (album)


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The Icicle Thief : ウィキペディア英語版
The Icicle Thief

''The Icicle Thief'' ((イタリア語:Ladri di saponette)) is a 1989 Italian comedy film directed by Maurizio Nichetti, titled in imitation of Vittorio De Sica's classic Italian neorealist film ''The Bicycle Thief'' (Italian: ''Ladri di biciclette''). Some feel ''The Icicle Thief'' was created as a spoof of neorealism, which predominated Italian cinema after World War II. However, it is generally understood to go beyond this and to take a stand against commercialism as destructive towards art. The film won the Golden St. George at the 16th Moscow International Film Festival.〔(【引用サイトリンク】title=16th Moscow International Film Festival (1989) )
==Plot==
The movie begins with an egotistical film director, played by director Maurizo Nichetti himself, discussing his latest film on an intellectual Italian TV channel which is about to broadcast it at short notice in place of a more highly regarded competitor’s. His "masterpiece" follows the bleak travails of a poverty-stricken unemployed man (again played by Nichetti) who finds work in a chandelier factory, but cannot resist stealing one of the gleaming lights for his wife. The pompous director is initially pleased with the seriousness with which his work is analysed, but he then becomes distraught when his black-and-white opus is repeatedly interrupted by full-colour commercials. The TV audience, watching in their homes, are completely oblivious of the interruptions and the "outrages" perpetrated on the director’s artistic intentions.
Finally, a power failure in the studio results in (colour) characters from the adverts appearing in the (black-and-white) film-within-a-film after the commercial breaks, and interacting with its protagonists, thus completely changing its plot and concept. The director himself is drawn into his own movie via the TV studio’s television set, and begins arguing with the characters.〔James, Caryn (1990) ("The Icicle Thief (1989)" ), ''New York Times'', August 24, 1990. Retrieved 11 Sept. 2014〕〔Michael Brooke (no date). (“The Icicle Thief (1989) Plot Summary” ), IMDb (no date). Retrieved 12 Sept. 2014〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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